Hey now, hey now – Daydream is over 

News reaches me, via Business Insider, that Daydream, Google’s VR effort, has been killed off:

In an emailed statement to Business Insider, a Google spokesperson acknowledged that consumer adoption of the product was weak, and that it faced other issues. “There … hasn’t been the broad consumer or developer adoption we had hoped, and we’ve seen decreasing usage over time of the Daydream View headset,” they wrote.

I was worried the writing was on the wall recently when Hulu abandoned the development of its app on the platform. It was the first time I’d heard anyone mention Daydream in months.

It means that of the major tech firms, only Facebook is investing in VR in any meaningful way. I have to wonder how much runway Zuckerberg is prepared to give it.

Time and TikTok

Despite being utterly obsessed with TikTok, I hadn’t noticed this, per Wired’s Louise Matsakis:

Unlike other social media platforms, TikTok is totally stripped of information like when a video was uploaded or the date a user opened their account. The app presents an endless stream of algorithmically chosen videos, which you swipe through vertically. But there’s no way to discern when any of them were posted. Tap on a user’s profile, and their videos will appear in reverse chronological order, but only display view counts. Sites like Facebook and Twitter prioritize recently uploaded content. But TikTok, named after the sound a clock makes, has no time for time itself—a decision that ripples across the entire platform.

Even your device’s clock is hidden when you use the app – a nod, I reckon, to the famous Las Vegas strategy of hiding all the clocks so people don’t realise how long they’ve been playing.

The mechanisms behind the world’s hottest new social network are fascinating, but difficult to understand – even for Mark Zuckerberg. In TechCrunch, Josh Constine reflects on Zuckerberg’s take (obtained via audio leaked to The Verge) that TikTok is “almost like the Explore Tab that we have on Instagram”:

TikTok isn’t about you or what you’re doing. It’s about entertaining your audience. It’s not spontaneous chronicling of your real life. It’s about inventing characters, dressing up as someone else and acting out jokes. It’s not about privacy and friends, but strutting on the world stage. And it’s not about originality — the heart of Instagram. TikTok is about remixing culture — taking the audio from someone else’s clip and reimagining the gag in a new context by layering it atop a video you record.

I chatted with Paul Blanchard about this recently, on the Media Masters podcast. My view is that TikTok is the first social network (since, er, Deviant Art?) to reward creativity over everything else. It makes for some incredibly imaginative content. One big takeaway: kids are masterful video editors.

‘The Pleasures of Eating Alone’

What is it the cool people on Twitter say? “I feel seen”? The WSJ’s Ellen Byron writes:

Household challenges, like different schedules, account for the biggest reason people eat alone. But nearly one-third of people say they eat alone for personal pleasure, particularly millennial consumers, she says. Further eroding group dining: smaller, more frequent meals; the increasing acceptance of eating in the car or at a desk; the companionship of a smartphone and even the thrill of a moment’s solitude.